Tag Archives: Sherlock

New Year, New TV 2017

Streaming has really changed the way we watch TV, and what would have (over the last few years) been considered “midseason” — I.e. the time when networks bring out new/returning shows to replace the ones that have already been cancelled or taken an early break — is now a bit more free-flowing. Netflix (and other streaming sites) have no real concept of “seasons”, but perhaps for competitive reasons they are releasing a bunch of new series at midseason. While there was barely enough time to fit a bunch of new pilot episodes, now I can barely catch my breath when 13 or so episodes per show are being dropped in my lap at a time. All that is just to excuse myself for only having watched one or two episodes of many of these new shows even when they look promising and exciting. Too much of a good thing, y’know?

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Sherlock, season 4

This is the only returning show in this post (though given how infrequently the episodes come out, it might as well be new — Am I right?) Nevertheless, it is always great to get new episodes of this amazing detective show (for those of you who don’t know, this is a modern take on the original Arthur Conan Doyle literary creation, starring Benedict Cumberbatch as Sherlock Holmes — now hurry up and watch all the back episodes!). I’ve only watched the first episode of this season (even though by now all 3 episodes will have aired). In this episode (“The Six Thatchers”) the case in question, which concerns a mysterious body found incinerated in a car fire, is only the stepping stone to another mystery around why someone is breaking into homes and stealing plaster busts of Margaret Thatcher. Cumberbatch shines as usual in the title role. There’s more exploration of the story behind John Watson’s wife, Mary, who had previously been revealed as a kind of super-agent. The episode was really good, and hit its usual marks with an unfortunate twist at the end that will affect the relationships on the show. Apparently they are also introducing a new villain to the series, even though Sherlock is constantly looking for clues that Moriarty is back somehow. I really can’t decide whether I wish there were more episodes of this show, or if I savour the few that we get even more because they are so rare. Well, it’s not as if I get a say either way. I’ll just have to really enjoy the remaining episodes.

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Emerald City

This show is based on the original novels by L. Frank Baum but puts an even more epic fantasy spin on the story than ever. Think of it as Wizard of Oz by way of Game of Thrones. Directed by Tarsem Singh (who also directed the feature films Immortals, The Cell, and Mirror Mirror, with a similar flamboyance and flair). The scenery is breathtaking, with amazing mountains and old castles. The interiors are decadent and luxurious, and the costumes are lavish and beautiful. The visuals give the fantastical world a much grander scope (and it doesn’t hurt to have colossal statutes guarding the city ports). Other reviews have commented on how this series is great to look at but the story is nothing special. I have to kind of agree so far — I’ve watched only the first two episodes. Dorothy (who is a strong-willed adult nurse) has landed in this enchanted land courtesy of a tornado, and she’s already been joined by a dog called Toto, and met a straw-covered man hanging by the roadside (who she’s calling Lucas, but we all know he’s the Scarecrow). She accidentally collided with the witch of the east when she arrived (the cop car that Dorothy hijacked plowed into her, but that’s not actually how she died). In reinventions like this series, we viewers like to keep an eye out for how classic characters and story elements have been modified, and we judge their cleverness. I’d say this version gets a high score for cleverness (the yellow brick road is a cobblestone path through the mountains whose colour is caused by the poppy pollen that falls on it), but I also don’t find that it really matters that this was based on The Wizard of Oz. Surprisingly I have often lost myself in the details and forgotten about that part. I’m just enjoying it as an epic fantasy tale that’s great to watch.

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One Day At A Time

With this show, Netflix is doing a reinvention of a 70s sitcom rather than a classic fantasy novel. It follows the original premise of a divorced mom trying to make a life for her family (I didn’t really watch the 70s version, so I don’t know how much has been carried over). In this version, the mom, Penelope, is a Cuban-American (played by Justina Machado) who had been an army nurse in Afghanistan. She works in a small clinic and lives in an apartment with her teenage daughter and son, along with her mother Lydia (played by Rita Moreno). I think the main characters are all well written and well acted, and Moreno as Lydia steals every scene — she’s just amazing. As far as clever reinventions go, the theme song is also great. It’s a reworking of the original “This Is It” infused with an energetic dose of salsa (courtesy of Gloria Estefan) — I’m humming it my head right now! Like the original show, the new version deals with some pretty serious socio-cultural issues in a heartfelt and humorous way. It’s got a bit of that old-school, optimistic, family sitcom flavour, but a fresh perspective as well (I even learned a bit about Cuban culture). Thanks to Netflix, I’ve binge-watched this whole series of 13 episodes already (and I’m going for round 2).

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A Series of Unfortunate Events

Another reinvention, this time a series of kids books (which had been made into a movie featuring Jim Carrey) is now a new Netflix show starring Neil Patrick Harris. The story is told of three orphan children whose parents are killed when their home burns down. Violet Beaudelaire, her brother Klaus, and infant sister Sunny are sent to live with their guardian, Count Olaf (played by Harris) who hatches villainous schemes to get his hands on the Beaudelaire family fortune. Just like in the books, the stories are far-fetched but enjoyable, with a definite tongue-in-cheek tone. The tone is one of the best things about the show. Similar to the short-lived TV series Pushing Daisies, and many a Wes Anderson film (like The Grand Budapest Hotel), there’s a kind of turn-of-the-century (20th century, that is), Victorian-dollhouse kind of aesthetic, along with a prim and wordy style of narration — sorry if this isn’t clear, but you’ll definitely know what I mean when you see or hear it. The series has a lot of fun, as these clever orphans try to get themselves out of all kinds of predicaments, mostly concocted by the villainous Count Olaf. Harris is dastardly delightful in the role, and he even sings a theme song with different lyrics each episode to recap the plot so far. I’m not sure which part I enjoy more: the clever tricks, the quirky characters, the look and feel of the visuals, or the mysterious conspiracy and subplots that are brewing beneath the main story. That’s not to mention a sardonically dry narration given on-screen by the resonant voice of David Puddy from Seinfeld, Patrick Warburton — who here plays Lemony Snicket, the ostensible yet mysterious author of these stories. I think this show is great, and another all-ages winner for Netflix.

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Troll Hunters

Netflix is on a roll in the kids department, also having debuted Troll Hunters in December. This animated series comes from nerd-visionary director Guillermo Del Toro (who also directed Pan’s Labyrinth, Hellboy, and Pacific Rim). It’s set in what appears to be a modern suburb, where your average school kids attend classes complete with chubby best friends, tough guy bullies, dreamy potential girlfriends, plus school plays and gym locker rooms. However, previously unnoticed in the shadows, is a world of trolls (no, not the ugly dolls with the crazy hair) but gargoyle-like creatures with multiple eyes, arms, and fangs. They may all look scary, but some are actually good (while others definitely aren’t). One night when a heroic troll hunter battles an evil troll, he gets destroyed, leaving behind a magical amulet which seeks out a new troll hunter and instead finds a young human kid named Jim. Being the new chosen, Jim (voiced by Anton Yelchin, RIP) is now hunted himself by an evil troll named Bular (voiced by Ron Perlman). Jim doesn’t really know what’s going on, and he’s busy just trying to grow up and get on with his life, but he gets help from a couple of other friendly trolls, including Blinky (voiced by Kelsey Grammar). Two episodes in, I wouldn’t say that Troll Hunters is not ground-breaking kids fantasy, but it’s pretty well-animated, and the voice talent is top-notch. However, I suspect that the story is going to pick up; and kids can always use more fantastical shows.

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The OA

Speaking of fantastical shows, one new Netflix show that is not for kids (probably more because they wouldn’t understand what is going on than any other reason) is The OA. This series came out of nowhere to unexpectedly surprise Netflix subscribers. I’ve only watched the first episode but (even though I’ve read that there’s a disappointing ending) I am hooked. Partially it’s all the mysterious questions about this woman who is caught on video jumping off a bridge only to survive and be identified as Prairie, a woman from a small suburban town who went missing seven years prior. She also used to be blind, but somehow is able to see now. What’s more, she calls herself “the OA” (whatever that means). Her behaviour and the clues about her just keep getting stranger (She’s kind of like a grown up version of Eleven from Stranger Things) as she gets a bunch of local teens to help her perform some kind of ritual. That’s when things really change. While I love a good, quasi-sci-fi mystery, I also love the crazy way this show played with the story line in the first episode. We spend about 40 minutes in this kind of suburban wasteland where we think the story is going to be about Prairie trying to reintegrate and remember what happened to her, and where she starts to bond with a psychopathic delinquent named Steve, then “Wham!” we take a narrative left turn and the opening credits begin on a very different type of episode. I don’t want to spoil much for anyone who has not yet watched, but that switch really caught me off guard and made me want to watch all the more. The show has a strong indie-film vibe, and Britt Marling (who is one of the show’s creator and plays the OA) is also known for roles in those kinds of films. I’m hoping that the rest of the series won’t be too disappointing, but the opening is a lot to live up to.

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Beyond

This series is slightly not as weird as The OA, but it also features a main character trying to reintegrate with the community after a long mysterious absence. Holden Matthews wakes up from a 12 year com, returns to his family and tries to recover a normal life. Unfortunately, there are many things that are odd about his situation, not the least of which are the shadowy men who are after him, his very surreal dreams of people he may have known during his coma (yep, you read that right) and not to mention his thunderous super-powers. This show is released on Freeform in the US, so it’s meant for young adults or teens. That target demographic kind of shows in the way the episodes are written. Poor Holden is confused and lost in a crowd of adults and family who keep telling him what to think and do. The people who may have some answers may not be trustworthy (including his best friend Kevin) and people who have answers never find the time to explain things to him. Unfortunately, a lot of the dramatic tension and suspense would probably unravel if the characters actually reacted like normal people. One example that struck me as odd: when Holden’s brother takes him to a college party, he loses control of his powers while unconscious in the bathroom. He causes the place to burn down and they escape without anyone suspecting Holden’s involvement. However, the next morning, after she hears about the incident on the news, Holden’s mother asks him if any of his friends were involved with the incident. Besides the fact that he just woke from a long coma and has no friends, why would she ask him about this completely unrelated incident for no reason if it were not just some kind of plot device to try to build a little suspense (“Does Mom know it was me?” wonders Holden. Whatever.) To top it all off, the plot moves in fits and starts, with a lot of action, then tons of slow moving scenes of interaction where we don’t really learn anything about the characters or the plot. I thought this show had some promise, but after two episodes, I’m already getting tired of it.

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Taboo

Lastly, this is a show that I cannot really make sense of, but which has totally grabbed me by its style, its tone and its uniqueness (and which I will attempt to describe). Tom Hardy (movie actor from films such as Inception, and many others where he plays a brooding English bruiser) again plays to type as James Delaney, a man thought dead by his family and friends, who actually went to Africa during the turn of the 19th century. When his father dies, he returns to England to claim his inheritance — a small, worthless strip of land in on the west coast of North America called Nootka Sound. Apparently not every mystery is revealed because the East India Company is also very interested in this land and had made a deal with Delaney’s half-sister and her husband to acquire it before he returned from the dead. Oh, and by the way, he claims to be in love with her (I know! Lannister much?!), but thankfully the two of them did not do the deed next to their father’s casket like a couple of (yup) Lannisters. (One more little GOT connection is that Delaney’s sister is played by Oona Chaplin, last seen getting killed along with her unborn child, King-in-the-North husband, and mother-in-law at the famously ill-fated Red Wedding.) The visual style of Taboo is really interesting. It’s clearly not set in Jane Austen’s England, but rather one that is full of mud and dirt and where everyone wears black all the time (not to mention the many stove-pipe hats). The characters, especially Delaney, speak in a kind of epic melodrama kind of way. Also the characters are all very clever and scheming and baring their teeth behind their smiles (or frowns). I don’t know where this series will go (Are we headed to Nootka Sound?) but I’m keen to find out.

Streaming TV (especially Netflix) has dwarfed the networks at midseason in keeping TV fresh by bringing out a whole bunch of interesting series. There are a few more coming that I’m excited for, including APB, about a tech billionaire who uses his money to supe-up the local police with hi-tech gadgetry, and I might try The Young Pope, where Jude Law apparently plays a power-hungry and corrupt young pontiff.

So much to watch, so little time!

The Liebster Award

Thanks to YoungCinemaBuffs for the nomination

liebster-award1RULES
• Thank the person who nominated you and link their blog.
• Answer the questions given by the nominator.
• Nominate 11 other bloggers who have less than 200 followers, and link them.
• Notify all the bloggers you nominate.
• Create 11 new questions for your nominees to answer.

I’m not sure who Liebster is or why there’s an award in his honour, but I’m gathering that this is really a way for blogs to promote other blogs who share common interests — that’s great. I would love to pay this honour forward as well, but I just don’t know very many other blogs (especially ones who, according to the Liebster rules, have less than 200 followers). Sorry, blog community. Nevertheless, I thought I would still share my responses to the questions posed to me for my nomination (so y’all can get to know me a little more). So here goes:

1. What is a movie you like that most people hate?

SUCKER PUNCHSucker Punch – I know people think that this movie full of huge CGI set piece fantasies for a group of young women in a creepy asylum is over-the-top ridiculous (and probably pretty sexist and exploitative) but I’m a Zack Snyder fan and I really like his visual style (though I did not love his Man of Steel movie. That was over-the-top.)

2. What is a movie you don’t like that most people love?

citizenkane2As far as classic movies go: Citizen Kane – Of course this is the pinnacle of cinematic classics, but I could not stay awake watching it and I don’t get the appeal. As for something recent, Oscar-winner Birdman did nothing for me. It just seemed like more Hollywood navel-gazing, and the whole superhero-fantasy angle seemed like an unrelated gimmick.

3. If you had to pick a different name for your blog, what would it be?

“Pop goes the world” – I don’t pretend to have delusions that I’m doing anything so important here, but I’m just chatting about pop culture that I enjoy (or don’t enjoy) and I’m able to share my opinions with people all around the globe! Fun.

4. What is your favourite movie and tv villains?

darth vaderMovie villain: Darth Vader from Star Wars – he’s just a classic in my eyes. He’s more of an icon than an actual character, but he was this pure emblem of relentless evil, and then he got redeemed! It’s a great arc.

Sideshow Bob by timshinn73
Sideshow Bob by timshinn73

TV villains: So many! Sideshow Bob from The Simpsons – he’s kind of a loser, but so fun and his diabolical-ness is wonderfully hammy. Plus, Kelsey Grammar’s voice is perfect for the role — and he looks so ironically ridiculous with his huge palm-tree hairdo. Also, Tywin Lannister from Game of Thrones. I definitely like my villains smart, and preferably erudite as well. Honourable mention to two villains both played by the amazing Michael Emerson: Ben Linus from Lost and William Hinks from The Practice

5. What movie has made you feel the most emotional?

JoyLuckClub_490PyxurzThis is going to be an unusual answer, but the movie that got the tears flowing the most is probably The Joy Luck Club. I know it’s obviously a very tear-jerking movie, but it gets me every time.

6. What season do you prefer: summer, autumn, winter or spring?

I like the autumn most. New TV season begins, kids go back to school and everything starts up again. I’m not a summer-party kind of guy so I like it when things get back down to business.

7. What is your favourite actor and actress?

cumberbatchThis is a tough question. For Actor, I used to always say Kenneth Branagh (who is still very amazing) but now I really like Benedict Cumberbatch (if not for his Sherlock alone). For Actress, my “celebrity crush” answer is Michelle Pfeiffer, but for serious, there is no actress that can hold a candle to Meryl Streep for sheer awesomeness. However, if we’re talking someone more recent, I will have to go with either Emma Stone or Carey Mulligan

8. What is you thoughts on debating?

This is an odd question. I admit that while I find arguments thrilling and often they’re my favourite kind of interaction (assuming they are not violent or hostile), but debates seem a bit lame and dull.

9. What are your favourite youtubers and why?

I assume we’re talking about musicians when we say “youtubers”, right? Well, I like Peter Hollens and Sam Tsui. They are both pretty good singers and they help me discover some of the pop music that I am pretty out-of-touch with. This is like the new “easy listening”. (They would probably hate to be characterized that way. Sorry fellas. Hey, I’m middle aged. Give me a break!). Plus, they seem like really nice people. I also like Pentatonix (such a cool group with mad skills) and Walk Off The Earth (another really fun group who impress me with their videos every time).

10. What TV series’ are you into?

game of thrones s3Oh my gosh, where to begin: Game of Thrones (natch!); almost anything sci-fi (but I miss the mega-franchises like Star Trek and Stargate); I’m enjoying The Flash; I can’t wait to watch Castle every week; I love The Good Wife (the last great lawyer show, along with Suits); I am really diggin’ Empire (trashiness brings back fond memories of 80s TV titan, Dynasty). On the comedy front, I’m still really enjoying Modern Family, Big Bang Theory, and Brooklyn Nine-nine. From the UK, Downton Abbey, Doctor Who and Sherlock are unmissable.

spurlockI also want to give special mention to certain shows that don’t get as much love in certain circles: anything by Morgan Spurlock is on the top of my list (recently Inside Man on CNN); also, there are occasionally some great cartoons that I love as well. Recently Avatar: The Legend of Korra came to an epic conclusion, and Disney’s Gravity Falls is one of my favourite shows and should be beloved of any sci-fi fan.

11. What is your most anticipated movie of 2015?

star-wars-force-awakens-trailer-2-description-888x456It’s almost boring to say, but it’s definitely Star Wars: The Force Awakens. Also Pixar’s Inside Out (they are at their best when not creating sequels) and (perhaps surprisingly) Pitch Perfect 2 — but I think it’s not going to be as good as the first one.

Midseason TV 2014, part 1

Year over year, midseason is becoming more and more my favourite time of the TV calendar. I guess networks figure that fall is the time to hit their biggest audience with new sitcoms or dramas, they save the sci-fi and genre stuff for midseason. That’s exciting for TV geeks like myself who love shows that are a little off-beat.

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It’s a good time for fans of British TV as two of its hottest exports come on the air at midseason. Downton Abbey returned with a decidedly sombre and darker season four. Mary is still coping with the loss of Matthew and having to move on (good thing there are plenty of suitors to be had). As the season goes on, unpleasant things happen to other characters as well, including Anna (so those who thought her pristine and untouchable got a big surprise). Also, it’s the Roaring 20s now, so that spirit has come to Downton in the form of young cousin Rose moving in (and getting into all kinds of youthful indiscretions). I realize that they had to move away from everything being about witty dinner table rejoinders, but I’m not sure I’m big on the more soapy turn that season 4 has taken. Nevertheless, soapy never looked so well-dressed and elegant!

Sherlock-3-LeadSherlock also makes its long-awaited return after the surprising apparent-suicide of Holmes himself. We know that he’s not dead, but while it’s intriguing the way they reveal how Sherlock pulled it off (it’s pretty cleverly-told) the real focus is on the relationship between Watson and Sherlock. Martin Freeman gives a great performance as the hurt and betrayed friend. As usual there are only three double-length episodes to the season, but they are real doozies: Watson has a fiancee and one episode is devoted to their wedding day (Take some notes, How I Met Your Mother! One episode!) and the third episode is (as the Brits say) brilliant with some jaw-dropping twists and excellent character moments.

Community - Season 5The only other returning show of note (so far) is Community, which comes back minus Chevy Chase as Pierce (and soon to be minus Donald Glover as Troy, also). Nevertheless, all the other cast members are back (even after graduating) and bring with them Dan Harmon, the show’s creator and shockingly-dismissed show-runner. So far they seem to have the original spirit of the show back (I enjoyed the gritty homicide-procedural spoof episode) however, it  seems a bit contrived that they’re all still here (back in school after their attempts at making lives outside of Greendale kind of tanked) and that Jeff is now a teacher (thus proving how low the school’s standards are). Still, after last season’s incredible lack of lustre, this season shows definite signs of improvement.

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Most of the new shows debuting in midseason are genre-related (unfortunately, a lot of them are disappointing as well). Even new sitcom Enlisted is set in a military context. Three brothers reunite when their oldest, a hothead war hero, is sent down to the minors after an altercation with his superior. The rest of the squad is a bunch of misfit losers, so this show has a definite Animal House vibe to it. Even after only one episode, this show appears to be more than just a collection of broad jokes in camo. It’s got some heart and a kind of ensemble humour reminiscent of The Office or Parks and Recreation.

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Helix is a new series from Battlestar Galactica (the later series) creator Ron Moore. Set in an arctic science facility, Billy Campbell stars as Dr. Alan Farragut, the lead scientist from the Centers for Disease Control (CDC) sent to investigate a viral outbreak. What they find is not exactly what they expected as Farragut’s brother Peter is infected and at the centre of the problem. It doesn’t help that everyone seems to be keeping secrets (including station administrator Dr. Hatake — played by Hiroyuki Saneda from Lost) and the virus is like nothing they have ever seen. Unfortunately it’s not anything we the audience have never seen. A contagion that causes the body to ooze black goo was a huge story arc on The X-Files; and this kind of hazmat-anxiety and close-quarter tension is the trademark of every kind of biological sci-fi. I was such a huge fan of BSG that I still have hope for this show, but so far (after three episodes) I’m not particularly intrigued by it.

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Bitten has been another disappointment so far. A soap opera about werewolves trying to make a go at life in the big city (my home town of Toronto, no less) while trouble’s a brewin’ back home in the small town where the rest of their pack resides, is not a bad premise. Unfortunately, the focus seems too much on the soapy parts. I get that the show is following the lead of any number of CW-commissioned, supernatural-romance-based dramas, but I was hoping that this one was going to attempt to distinguish itself a bit more. Laura Vandervoort (Supergirl from the CW’s Smallville) looks great as she deals with her boyfriend’s family and tries on dresses with her BFF, but if her only werewolf problem is that she can’t control when she changes or needs to feed, then that’s the kind of ho-hum thing we’ve seen a million times over. (I wonder if they might try to explain why all werewolves have such hot looking human forms — at least True Blood threw in one or two lycanthropic uggos).

PilotExciting as it may be to have Lost‘s Sawyer back on TV, Intelligence is vying for the most ironically-named show of the season. Josh Holloway plays Gabriel, a CIA agent who has a microchip in his brain. Unlike its precursor-with-a-similar-premise, Chuck, this show is not at all funny. However, it is a bit laughable how they have assigned a secret service agent (played by Once Upon a Time‘s Meghan Ory) to protect this valuable asset, which they use to look things up mere seconds quicker than the other normal agents would at their computers. There’s also a kind of cheesy visualization thing that Gabriel does (which is done much cooler on TV series Hannibal without the benefit of an implanted microchip) where his mind conjures a virtual 3D rendering of a scene for him to mentally deconstruct (Yawn! At least Chuck got to learn kung-fu from his implanted storage of intelligence data.) As if that weren’t lame enough, Gabriel is totally preoccupied with finding out what happened to his missing wife, who was also an agent and possibly a traitor. This should have been something they brought into the show gradually. Now it’s two episodes in and we’ve already had the big confrontation scene with her. Remember Sydney’s mom on Alias? That was done so much better!

black-sails-screenshotLast but not least, is a pirate show — one of two this year, actually — called Black Sails, which not only has an awesome poster (where they turned a man’s arms and face in shadow into a skull and cross-bones) it actually does a pretty good job of realistically depicting pirates (and we’re talking about the original 18th century ones here). There is not a peg-leg, plank-walk, or comical parrot anywhere in sight. This show is serious about its pirate stories and the political maneuvering and power-plays have a Game of Thrones kind of timbre to them. Of course, similar to GoT, there is much drinking and whores galore. The plot has Captain Flint (played by Toby Stephens — who happens to be son of Downton‘s Maggie Smith) forcing his crew on a quest for the biggest score ever while other individuals and forces are all vying for power and riches in the Caribbean. Like its network-mate, Da Vinci’s Demons, this series has a big-budget feel to it and takes an interesting historical period and genre and makes a go of an interesting, fun, dramatic series.

As midseason is kind of stretched out, there are more shows to come. Let’s hope the others make up for the slow start that some of these are having.