The network television season has all but ended, and next week we’re going to be talking about the new shows coming in fall 2017, but before we reach that point, there are still a few interesting shows on right now (including a couple from Netflix, so they’re always “on”) that could tide you over until we all go outside for summer play (or movies). And since I’m the one writing this post, there is a definite genre slant to this quick list.
This is a high-quality, nicely-visual TV adaptation of hit fantasy author Neil Gaiman’s 2001 novel of the same name. While I was not a big fan of the (audio)book, I am really enjoying this show–definitely more than I thought I would. Essentially, the main character Shadow Moon is an ex-con whose life takes a few unfortunate turns, but then he gets mixed up with the enigmatic Mr. Wednesday, who is organizing a little war of old gods vs new. Gaiman’s premise is that the gods go where their worshippers go, and as a nation of immigrants, America has more than its fair share of old gods. However, as culture and society has changed, so too what we worship; new gods such as Media and Technology have manifested and are busily trying to supplant the influence of the old gods. Even in the book, I loved this concept and now seeing all these characters on screen is pure delight — especially for the mythology nerd in me. The visuals range from bizarre dreamscapes (think buffalos with flaming eyes) to stretches of American inter-city landscape, and all carry that stylish, cinematic flair which is a hallmark of most Bryan Fuller productions. Shadow is played by newcomer Ricky Whittle (who also played the strong, stoic type in The 100) opposite Ian McShane (total smooth-talking scene-stealer!) as Mr. Wednesday. Filling in an incredible cast is Gillian Anderson (one of my faves) as Media, Orlando Jones as Mr. Nancy (whose debut speech was an incredible scene), Kristin Chenowith as Easter, Peter Stormare as Czernobog, and Cloris Leachman as Zorya Vechernyaya. If you’re even mildly intrigued by this summary, you need to check out this unique show.
Returning for his last season is Peter Capaldi as the 12th incarnation of our favourite Time Lord. This time he’s back with a new companion, having left Clara Oswald behind after her rather convoluted “death”. Now he is posing as a Scottish professor and his new companion is one of his students, Bill Potts, who brings a delightful energy and brash exuberance to the relationship. Everything is new to her (yes, Bill is a woman) and she loves to speak her mind (as most companions do) but she also says a lot of the things that we’re all thinking. There have been a few episodes this season, but they have followed a somewhat typical formula so far. There has been a future city where the robots have been overzealous about their creators’ intentions (much to the detriment of all people who visit); there’s been another visit to Victorian England where another creature is secretly killing people; and there’s been a haunted house where Bill and her new housemates are being disappeared by something creepy. Regardless of the surprisingly complex mythology (which I often can’t follow), this show is always a fun sci-fi adventure — one of the few still around. I’m looking forward to more interactions between Bill and the Doctor (especially since she’s a lesbian and so we should be refreshingly free of the romantic entanglements that the companions all get with the Doctor) and also the anticipation of his next regeneration (which is likely to be the season finale).
The Get Down
This sensational trip back to late 70s Brooklyn, in the waning days of Disco and the infancy of Hip-hop made a splash last summer for its first half-season. Now Netflix has the second half of the tales of Ezekiel Figuero, Mylene Cruz, Shaolin Fantastic, and the Get Down Brothers as they try to live their dreams of musical stardom. The young lovers Zeke and Mylene were both on the rise when we left off. Zeke had the patronage of movers and shakers in local politics, and potentially had a shot at an Ivy League future. Mylene was becoming a disco diva, but her self-serving father was eager to use her fame to promote his church and its own rise. This series has a very refreshing style with a lot of great music and powder-keg energy. So many characters are bursting with desperation to take control of their lives and change their futures, along with the darker undercurrent of the times, filled with drugs and violence, which was chasing them to pull them under. This show takes melodrama in a new direction, and while I really enjoyed the first half-season, the second was not nearly as fresh. The pressure for these characters to compromise their beliefs in pursuit of their dreams was kind of a cliche. The fact that everyone around them was using our heroes for their own ends was another cliche. For some reason (hopefully artistic rather than merely budgetary), the second half-season kept using a lot more animation (meant to represent the comic book artistry of Jaden Smith’s graffiti-artist character Dizzee) and it was both annoying and cheesy. While there was a kind of climax to the storyline, culminating in a war between musical forces old vs new, the second half-season was a let-down from the potential of the first.
13 Reasons Why
This controversial teen drama actually debuted on Netflix at the end of March, so there’s been a bit more time for people to have seen it by now (I know I binge-watched it over most of a weekend). It stars familiar young actor Dylan Minette as Clay Jensen — a high school kid who is trying to cope with the suicide of Hannah Baker, a girl who he was friends with (and possibly loved), when he is given a mysterious set of cassette tapes. On these tapes, Hannah has recounted the backstory of a number of individuals in the school, who she claims as having contributed to her suicide. Based on a popular book, 13 Reasons Why actually adds a lot of dramatic scaffolding around the narration of the tapes along with a lot of depth to Clay’s story. If you are interested in this kind of show, I’m betting that you’ll come for the mystery (Who contributed to Hannah’s suicide and how?) and stay for the characters. Part of the controversy around this show (and book) is about how it really gets into the mind and experience of teenagers. Detractors warn that teenagers are already prone (as depicted in this show) to expand every event so that its significance is too major to avoid or control, and makes it seem that the only way out is suicide. Minette does a great job as Clay. He’s a decent guy, with his awkward moments as well as his confident ones. He seems entirely relatable, even when he becomes frustrated and angry to the extreme. As a middle-age guy with no teenage kids, I can easily just enjoy the drama and well-told story of this show without being overly concerned with its social impact. If I were to take a small step in that direction, I’d say that it encourages a dialogue between teens and their parents by being extremely frank and dramatic. I don’t think any parent should let their kids watch this show without having a good discussion with them about their response and reactions. Nevertheless, I think this kind of provocative television is really good and just the kind of thing that the medium is designed for. Anyway, enough soap-boxing. It’s definitely worth checking out this show, and I challenge you not to be hooked after the first couple of episodes.
Also returning to Netflix are Aziz Ansari’s acclaimed sitcom Master of None (which I loved in parts, but did not watch all the way through to season-end) for a second season; and season 3 of Unbreakable Kimmy Schmidt starring Ellie Kemper. I loved season 1, cooled down to lukewarm about season 2, and only slightly-anticipate season 3. We’ll see.