Category Archives: Superheroes

Spider-man: Homecoming – Movie Review

After so many incarnations, it’s hard to believe that another reboot of the Spider-man story could be fun and fresh, but I really enjoyed Homecoming, and a lot of the credit goes to this younger version of the web-slinging hero, and the exuberant performance by rising star Tom Holland. While I had already raved about the previous Spider-man, played by Andrew Garfield, having a more character-driven story — dealing with his relationship with girlfriend Gwen (played by Emma Stone), this time around the character is portrayed even younger (he’s only 15) and there is a lot of teenage energy and fun to it. It’s great to see Spider-man’s alter-ego Peter Parker going through challenges of high school (though he’s super-smart, so the academics are no struggle) and teen melodrama (at one point, his hi-tech talking suit tries to give him advice on girls). This movie has a non-stop sense of humour throughout the movie that is driven mostly by Holland’s aw-shucks kind of innocence (along with his hilarious nerd side-kick Ned). (They are such classic movie teens that I almost felt like I was watching an 80s movie!).

However, one of the things that reminded me that we are very much in the twenty-teens, was how Robert Downey Jr. made a few guest appearances as Tony Stark/Iron Man from the Avengers. If you didn’t realize, the “homecoming” is bringing Spider-man back into the Marvel Cinematic Universe, after many years of being isolated from the other characters by virtue of intellectual property rights. Downey’s presence reminded that even though this is a Spider-man movie, it’s part of that other pop-culture juggernaut. Interestingly enough, while the character needs a place among all the various cinematic super-heroes, Peter Parker is also trying to find his place as a hero. Having come off the thrill of teaming up with the Avengers in the events of the Captain America: Civil War movie, now he wants to prove himself worthy to be a grown-up super-hero: one of the big boys.

One of the best decisions made for this movie was that they didn’t go back and replay Spider-man’s origin story again (there’s a bit of mention that he was bit by a spider, but that’s it). This allowed a bit more time to spend with Peter Parker’s life — we even get to know his friends and classmates (he’s part of the academic decathlon team, which actually plays a meaningful role in this movie) and there was time to develop the villain’s story as well. This made the pieces fit together really well, and I felt like we got a good understanding of the characters — which is something lacking from the movies where producers want to cram a lot of characters onto the screen and give us a lot of explosions and crashes. This movie was even able to make an interesting bad guy out of the Vulture, a staple of Spider-man’s rogues gallery, but not generally very cool. With Michael Keaton in the role, he’s got a few really good speeches and does some moustache twirling, gradually becoming a true nemesis to the young Spider-man.

So is it all just characters talking, or high-school drama? Of course not. There is plenty of action (at some of America’s very well-known tourist attractions, no less) and as I mentioned, the humour is non-stop. I think this is the funniest super-hero movie ever — even more than Deadpool (which had a much darker undertone). There’s a moment of decision at the end of the movie that sets the direction for any sequels. Though it goes exactly as I expected, it also made me wonder what could possibly be in store for subsequent films. I guess I’ve been so programmed by the other blockbuster super-hero movie events that I almost can’t imagine what a down-to-earth, friendly, neighbourhood hero movie might be like — so I’m really looking forward to finding out. Much to my surprise, this third version of cinematic Spider-man seems to be the perfect one (as long as they keep Tom Holland) to take the character forward. 4.5 out of 5

Wonder Woman – Movie Review


After the mess that was Batman vs. Superman: Dawn of Justice, I was worried about this movie. Wonder Woman has never been one of my favourite super-heroes, though I did watch her 70s TV series (despite its cheesiness). Like most fans, I’m surprised it’s taken so long for her to get her own movie adaptation. In contrast to Spider-man — who’s going onto his 3rd cinematic reboot — the origin story of Diana, princess of the Amazons on the island of Themyscira, seems fresh by comparison. This version begins with her childhood living on “paradise island” surrounded by warrior women but isolated from the rest of the world. Flashing forward to an actual war story, the focus shifts to the WWI events which brought Diana to the outside world in order to fight evil. Wonder Woman’s basic backstory can seem a little old-fashioned but it’s counteracted by humour and a bunch of Pretty Woman-inspired scenes (or given the Greco-Roman context, maybe Pygmalion is a better reference). Captain Steve Trevor (played by Star Trek‘s Chris Pine) tries to help Diana the Amazon fit into Edwardian England, and ends up creating an interesting metaphor for this movie, which itself tries to help a god-like super-hero blend into a relatively earth-bound conflict between warring nations and war-time politics. It’s not only because Diana (played by Gal Gadot) is so gorgeous that she continues to stand out.

Starting out in Themyscira, the scenes are wonderfully enjoyable. The locations (shot along Italy’s Amalfi Coast) are breathtaking, and the magically beautiful weather doesn’t hurt. Early scenes of little girl Diana watching the other Amazon warriors training for battle are also great fun. The Amazon fight scenes are really good: a combination of slow motion camera work and graceful movements (spins and legwork) make the fighting feel like dancing. The scenes reminded me a lot of those from 300, and even though director Zack Snyder also worked on this movie, this time he was only a writer/story guy. Again, there’s a bit of disconnection between the Diana’s quasi-mythological backstory (looks like they’ve been using the same decorator in Themyscira’s throne room  as Thor‘s Asgard) and early 20th century London, but I was enjoying the story so much that I didn’t really mind.

When the WWI story kicks into gear, it’s largely Steve Trevor’s adventure (or at least him and his ragtag band, which easily adopts the beautiful Diana into its ranks). I wasn’t quite sure what to make of his character. Chris Pine is really good at being the hero with a bashful sense of humour, but I was confused by the presence of an American in the WWI British air force (or intelligence corps). Anyway, the actual war story part of the story is not that well thought out or complex, but at least there’s a villain who is not only a German general (boo!) but a ruthless killer, working with a mad-scientist poison-maker. He might also be the current incarnation of the Amazons’ nemesis, the war god Ares. The setup is very simplistic (as comic book stories traditionally are) — I mean, the first bad general that she meets is the enemy that the Amazons were born to fight? Seems too easy.

I don’t want to sound like I’m complaining, because I really enjoyed this movie, but it’s mostly because of the charm of the actors/characters, the nicely choreographed action scenes, the fun fish-out-of-water humour, and the adventuresome spirit of the film. I also liked how the movie dealt with a number of themes, including the strength and independence of women; and whether human nature or cosmic forces are truly accountable for the evil in the world. Any disjointed pieces of story came nicely glued together. Wonder Woman is a great palate-cleanser after the loud, over-the-top, confusing, and shallow super-hero movies that we’ve been seeing recently (4 out of 5).

2017 Fall TV Preview

Netflix and streaming keeps changing our idea of TV seasons, when they begin and end, still we recently concluded the 2016-17 network TV season. This is also the time when the networks give us a peek at their fall schedules. For myself, there weren’t any tough cancellations — even one show that I would have kind of missed, the time-travel drama Timeless, was miraculously saved for the fall. However, I will miss the Tim Allen sitcom Last Man Standing, which I got into by binge-watching on Netflix and has now been cancelled after six seasons. It’s the TV circle of life: cancelled shows make room for new shows. This coming fall season, I’m most excited for new shows on Fox and ABC, while NBC, CBS, and The CW are barely registering on my radar. Let’s get into the details:

Fox

I’m most excited about Fox because they are clearly having fun with genre shows. A new show that I don’t plan on checking out is The Resident: one more medical drama, this one features Matt Czuchry (from The Good Wife) as a hotshot resident who butts heads with Bruce Greenwood, the unethical “veteran” doctor. I don’t feel that Czuchry has much charisma, so I don’t know why they keep trying to make him into a young hotshot.

Another bad first impression is on LA to Vegas, a comedy about a plane cabin crew with Dylan McDermott as the captain (Why do they keep trying to make him funny? He isn’t.) The humour is the semi-lowbrow kind that I don’t like. Pass on both these shows.

The Gifted is a new series about some super-powered kids (don’t call them “X-Men” yet) who seem to be on the run. Amy Acker (yay!) and Stephen Moyer (meh!) star as the parents. This is supposedly set in the X-Universe, but I think none of the characters will be recognizable from the comics or films. In the trailer there’s a typically over-the-top bullying scene where a nerdy boy manifests his mutant powers, which makes me hope that this show will be a little more sophisticated. So far it looks like a cheap Heroes knock-off. Still, since it’s got that X pedigree, plus it’s produced by X-director Bryan Singer, I think there is some potential.

Most promising in my book are two genre-based comedies. The Orville is a terrible name, because it’s the name of a starship, for a show that is essentially Galaxy Quest: The Series. Seth MacFarlane gets in front of the camera to star as “The Orville”‘s hapless captain. Jon Favreau is one of the directors, along with other Star Trek notables like Brannon Braga, Robert D. MacNeill, and Jonathan Frakes. It looks pretty funny, and I’m a sucker for Trek humour, so I am looking forward to this one.

Ghosted is another sci-fi comedy, one that is more a send-up of The X-Files (which is itself returning for another season). Craig Robinson (from The Office) and Adam Scott (from Parks and Recreation) play an “odd couple” who get drafted by The Bureau Underground to investigate creepy supernatural phenomena. I am not sure what a weekly episode might look like (because like many trailers, this show plays a bit like a movie), nevertheless, they’ve got two great comedic leads, and Scott gets to be even more nerdy than usual. It’s going to be a riot.

ABC

So many new shows with potential on ABC this fall: The Crossing seems a few years too late to follow in Lost‘s footsteps, but it still tries to make a go at a high-concept premise with sci-fi overtones. The show seems to be about a group of about 50 people who wash ashore at a small coastal town. These people are not only from the future, but they have superhuman abilities as well. This show also reminds me of another series: The 4400. That series had a very challenging run. I hope this series ends up being something fresh and cool.

Deception takes a stage-magic-based storyline (like the movie Now You See Me) and combines it with the recent trend of “special guest” consultants for law enforcement (think Castle on the good end, or the more recent APB on the bad). A popular stage magician gets involved with the FBI to help them track down bad guys who are also using stage magic for heists and other crimes. I think this could be really fun, but unfortunately I don’t think the lead, played by Jack Cutmore-Scott (I don’t know him either), has even one-tenth of Nathan Fillion’s Castle charisma.

The Good Doctor is kind of a lame title (especially after The Good Wife was a much more meaningful title) for a series about a savant/brilliant young doctor (played by the wonderful Freddy Highmore) who also has some serious socio-psychological issues. I doubt I’ll watch this “House Jr.” series for long, but it could be good. I just hope the show doesn’t spend all its time justifying how a quirky genius is worth his weight in miracles, and that outsiders should be accepted.

The Gospel of Kevin is an odd show, starring Jason Ritter as a reformed screw-up who encounters a meteorite that allows him to see and talk to his guardian angel who helps him make his life meaningful (whew!). Ironically, Ritter got his start on the similarly themed series Joan of Arcadia a decade ago. I don’t think this show looks too interesting, but I might give it a chance.

Alex Inc. features Zach Braff (from Scrubs) as basically another version of all his characters: bungling-yet-lovable-and-well-meaning guy ends up starting a for-profit podcast about his own way to success in life (with his family). I’m a bit tired of Braff’s character, but I do like the inter-racial family (his wife is of East Indian descent).

For The People seems a bit cliche: another pretty young lawyer show, this time focusing on newbies to both the prosecution and the defense sides of the law. It doesn’t break new ground, but I’m a sucker for a good lawyer show.

Last but not least, the trend of reviving long-cancelled shows continues with Roseanne‘s return to the airwaves. All of these have potential, so we’ll see.

The CW

The network renewed almost all their shows, so there’s not much room on The CW’s schedule for new ones. Life Sentence, starring the always-cute Lucy Hale (from Pretty Little Liars) as a young woman reinventing her life after finding out she is no longer dying of cancer, is not startlingly original (I feel like it’s looking for some of that This Is Us drama-love), but it has potential. A lot depends on whether the other characters and storylines engage with the viewers.

There’s Valor, which involves a cover-up and pretty characters making melodrama decisions against a military backdrop — it seems inspired by Quantico. The whole story seems to be told in the trailer — not sure how this will become an actual series.

Another new DC superhero show (in addition to the other four) called Black Lightning. Seems pretty similar to the other shows, except it’s got a bit more of that local-neighbourhood vibe (similar to Marvel’s Daredevil). Unfortunately I’m a bit burnt out on superhero shows, so I don’t think I’ll watch it.

Finally, The CW seems to be heading for an epic fail with the reboot of seminal 80s soap Dynasty. I was a late-coming fan of the original, but this version seems ridiculous. Grant Show is super-miscast as patriarch Blake Carrington, not only lacking John Forsythe’s sense of masculine elegance but also lacking any believability as a powerful billionaire. This just seems like one of many CW soaps and squanders the Dynasty brand in a big way.

NBC

On one hand, NBC deserves kudos for resurrecting Will and Grace, one of my favourite sitcoms, with the original cast intact. On the other hand, there are virtually no new shows of note. The Brave is another of many military shows which follows Quantico so much that it actually cast one of the actors from that show. Whatever.

CBS

Last and least, CBS tries to catch ten-season-old lightning in a bottle by spinning off the character of Big Bang Theory‘s Sheldon Cooper into his own show — but as a child living in Texas. The trailer has the feel of a Malcolm in the Middle, with all its white-trash caricatures. Unfortunately, the writing and acting both seem terrible and the characters seem incredibly flat. It’s a bad sign if the best part is the voiceover narration from Jim Parsons as adult Sheldon. Mark Feuerstein has a new sitcom called 9JKL about living next door to his parents and his brother. I don’t know if it looks any good, but the parents are played by Elliott Gould and Linda Lavin, so at least there’s that. Oh, and David Boreanaz stars in another military show called Seal Team. (I would say more about the CBS shows, but ridiculously they block the trailers from being viewed in other countries, such as Canada. Nice!)

Bonus: CBS All Access

I don’t want to jinx anything, since I previewed this series in last year’s post, but Star Trek: Discovery is coming some time within the next year — they’ve released a trailer and everything! Given the degree to which it’s already been delayed, I don’t doubt that it might be delayed further, but we Trekkers still hold out hope. Let’s also hope that the show is something special — can’t quite tell from the trailer.

Guardians of the Galaxy vol. 2 – Movie Review

C_MR_WhUIAApVo9The “Marvel Cinematic Universe” has become something of a beast, weighed down by continuity, history, and the expectations of big budgets and big fandom. However, a new Guardians of the Galaxy movie comes out to remind us that there are still fun adventures to be had in the MCU. One of the advantages that the Guardians have is that they were relative unknowns in the Marvel Comics world before they burst onto the big screen three summers ago. Even with the runaway success of their first movie, they are still not icons like Captain America, Spider-Man or the X-Men. They could have just as easily been a totally new sci-fi franchise featuring a rag-tag band of space adventurers. In fact, it’s probably no surprise that they remind me a lot of the original Star Wars crew. In this second movie (“volume”), we seem to be catching Peter Quill, Gamora, Drax, Rocket Raccoon, and (now baby) Groot in the middle of a job, hired to protect giant space batteries by a race of golden-gods known as The Sovereign. The opening sequence is full of action, but hilariously baby Groot (the cute little tree person) takes the spotlight as he dances to some grooves while all his fellows fight a giant tentacular, toothy-mouthed monster trying to steal those darn batteries in the background. It perfectly reflects the tone of this movie franchise and its tongue-in-cheek blend of spectacular space-action with mundane, shoulder-shrugging humour.

The other element that completes the Guardians formula (which also happens to be a Star Wars hallmark) is “family issues”. Their payment from The Sovereign for doing this job is to get custody of Gamora’s sister Nebula (in order to hand her over to the authorities) and so the two gals have ample opportunity to work out all their differences over some beat downs and attempts at mutual destruction. Meanwhile, when the crew ends up needing to flee The Sovereign (courtesy of Rocket’s sticky fingers around the priceless space batteries), they get a helping hand from a mysteriously powerful stranger, which leads to some family issues for Quill as well.

This ensemble is very nicely balanced and it’s great how each of the main characters is needed: not only as part of the team, but also to make the movie enjoyable. While Groot and Rocket typically steal the show, this time around Drax was the source of the most humour for me. Dave Bautista is wonderful as the faux straight-man. He’s big, strong and kind of serious, but he’s also full of jokes because he laughs at the “wrong” thing and just doesn’t feel the same sense of impropriety that we might. (This will make me sound like I have a 4-year-old’s sense of humour, but I was rolling with laughter from Drax’s line “I have famously huge turds.” Please don’t judge me.)

The story itself is not too big, even though it involves galaxy-ending possibilities, the focus is still pretty personal. Almost all the aliens we meet are slight variations on humans. When The Sovereign pursue our heroes their fighter ship swarms are remote-controlled, making all their pilots act like a bunch of gamers at an arcade. Similarly, the storyline where Quill’s foster father Yondu struggles with mutiny in the ranks of his own crew of Ravagers, it feels like something inspired by The Sons of Anarchy, or some other human biker gang. Yondu himself has a pretty big role in the resolution of this movie. I actually grew to like him a bit more — not just for his relationship to Quill, but also for his bad-assery and his cool mind-controlled arrow.

The Guardians are a lot of fun to hang out with over the course of a two-hour movie, but there is so much potential for more adventures that I really wish that they were a TV series (I’d probably enjoy it way more than Marvel’s Agents of SHIELD). There is also so much room for sci-fi goodness in their corner of the galaxy that I want to see more before the next sequel movie. I know, there is an animated series that I should probably check out, but from what I saw, it was not nearly the same thing. Anyway, I highly recommend Guardians of the Galaxy vol. 2 as a great kick off to a summer filled with blockbuster movie sequels and franchises. (4 out of 5)

More Midseason TV 2017

Didn’t I tell you that there’s a lot of TV to watch? It’s been a month since I last posted about the new shows in January and there have been a whole slew more. TV programmers seem to take more chances on the weird stuff (that’s the sci-fi/fantasy genre to us fans) in midseason, so that means there’s a lot that suits my taste. Let’s jump right in with the good and the bad.

legion-0017Legion

Starting off with a wild card, Legion is the black sheep of the superhero genre (even more than Deadpool). Based on a character from the X-Men family, it’s the story of David Haller, the illegitimate son of Professor X himself. David is heir to vast psychic abilities (way stronger than ol’ pops), but mental illness (aka schizophrenia) puts him a bit out of control. The series (featuring Downton Abbey‘s Dan Stevens in the title role) doesn’t connect directly to much of the comic book backstory. In the show, David is being treated for schizophrenia in order to control his vast mental powers, but there isn’t much of the rest of the Marvel Comics mutant storyline that remains. Still, it’s a very retro, trippy experience. The show plays around with non-linear storytelling in a way that it’s a challenge to follow what scenes are past, present, or imaginary/delusional. There is a very heavy psychological bent to the script and the audience is struggling along with David’s mental anguish. Nevertheless, it’s far from depressing (partially thanks to Parks and Recreation‘s Aubrey Plaza as David’s asylum-buddy). If this doesn’t sound appealing, and you’re more interested in super-powered action, I promise that by the end of the first episode, there’s a big payoff. Plus, by the second episode, we meet a bunch more characters with abilities that make you feel more like you’re hanging with the X-Men (though why the show does not use any Marvel brand-named characters is beyond me — perhaps it’s because the script-writers wanted to work with different abilities than what’s already on the Marvel roster). In any case, Legion is a very good, grown-up take on the super-powered TV series. I’m excited to follow where it leads.

powerless-dc-comicsPowerless

For an almost opposite experience of the super-hero world, I give you DC’s Powerless. Instead of adding to the variety by way of a head-trip, DC has decided to hit the funny-bone with this workplace comedy set in the DC super-hero universe. Vanessa Hudgens plays Emily, a young manager who moves to Charm City (I think they just made that one up) to take over as director of an R&D division at Wayne Security. The show reminds me a lot of a series called Better Off Ted, which also poked fun at corporate life in an R&D department, but at Wayne Security they invent products to help people cope in a world full of supers (like Joker anti-venom or a wrist device that lights up when it detects a super-villain nearby). Part of the humour of this show is targeted at nerds like me who appreciate the fun had at the expense of comic-book cliches, but the other part is classic workplace humour: fitting in with a new team, pleasing an unworthy boss, etc. This division of Wayne Industries is headed by Van Wayne (played by Firefly‘s nerd-pleasing Alan Tudyk) who is constantly trying to get the attention and kudos of his much more successful cousin, Bruce (who he likes to call “B-Dubs”), and get reassigned to the Gotham office. The cast includes another nerd-friendly name, Danny Pudi from Community, who is actually less weird than he was as Abed. The first couple of episodes were OK, but they had me wondering if they would get the balance right between super-parody and office-comedy. At first they were really leaning on the latter, but by episode 3, I think they really hit the sweet-spot when the team suspected a co-worker of secretly being a super-hero, and when Emily and Van worked on landing a contract with the Atlanteans (who think of Aquaman as a celebrity). This nerd-bait show has a lot of potential and I am laughing more each week. Now if only they’d bring more actual DC characters into the show (even if it’s just for cameos). I’m a little disappointed by all the name-drops when the onscreen supers we actually see in the background are mostly new, poorly-made-up characters. Give me the real DC Comics B-list! Surely they can’t all be reserved for the movies and The CW.

riverdale-header3Riverdale

Another comic book show, though one of a completely different stripe, Riverdale takes the classic Archie comic book series and reinvents it as a moody teen drama that is part Twin Peaks, part 90210 (or The OC or Gossip Girl, even Scream Queens, or plug in your own teen soap). The show playfully reimagines familiar characters such as Archie, the red-headed golden-boy athlete-musician; Betty and Veronica, the blonde-brunette archetype girlfriends; and Jughead, who’s gone from lovable, goofy friend to offbeat, surly hipster. I was not much of an Archie fan, so I don’t know how far afield the TV show has gone, but I suspect that there were no murders in the comics. Taking a cue for Twin Peaks, the show starts out with a murder mystery around who killed Jason Blossom, one half of the town’s spoiled, rich twin elite with his sister Cheryl. The mysteries deepen as secrets all around town start slipping out, most notably Archie’s jail-bait relationship with music teacher Ms. Grundy (who don’t look anything like the old white-haired dowager from the comics I’ve seen)! In typical teen soap style, the kids are all great looking, worldly, socially-savvy, and have the clever way-with-words that a teenager only gets from a staff of intentionally hip screenwriters. All the contrivances aside, I enjoy this kind of a show for all its scandalous twists and playful naughtiness. For those of you who remember its early days, enjoy Riverdale like you enjoyed Twin Peaks before all the bizarre, creepy insanity got the better of it.

apb-dix6jbe2yts-market_maxresAPB

This show had a potentially clever premise that made room for comment on the politics of law enforcement and tech-based business and industry, even while delivering some action-packed police drama. Unfortunately APB is really missing some well-thought-out writing to make that all come together. The show is about a tech billionaire who buys a police precinct in order to get justice after his friend is killed during a corner store robbery. Justin Kirk plays Gideon Reeves, the ego-driven mogul whose R&D division apparently invented all kinds of technology perfect for equipping a police force, including: fast armoured cars, remote-controlled drones, a tracking/mapping system that puts 24‘s CTU to shame, and a smartphone app to keep in touch with the locals. Part of me wishes that the creators of the show would have gone further with the technology, coming up with insanely advanced tech for these officers. As it is, what they’ve got seems only mildly interesting (despite the fact that this CEO seems to be spending all his time tinkering with the equipment himself each week to invent something new). It’s not very futuristic and it doesn’t seem like anyone’s given serious speculative thought to what kind of tech innovations would be useful for a real-world police force. Similarly, if a captain of the tech industry was throwing his corporate might behind a police precinct, there would be armies of staff and infrastructure deployed to make everything work. Instead Reeves himself and his capable data-scientist Ada seem to be the only ones available to help (though now they’ve brought a wrestler-turned-engineer/scientist into the mix). As a show, all success seems to be riding on the back of Justin Kirk, since his cocky maverick is the only interesting character on the show. There’s also Natalie Martinez as Murphy, a supposedly veteran beat cop who Reeves takes under his wing. Sadly she is already tiresome, the way she is always showing Reeves some kind of real-life truth that he can’t buy with all his tech-mogul success. Add to that, they’ve decided to make the mayor and his office into a kind of villain and nemesis to Reeves and his new project. Argh! I hate squandered potential and this show reeks of it. I wouldn’t give much for its chances.

drew-barrymore-timothy-olyphant-santa-clarita-dietThe Santa Clarita Diet

If you thought Netflix was slowing down, think again. In addition to carrying Riverdale (at least in Canada), it also recently debuted an odd little series featuring Drew Barrymore as a wife, mom, realtor, and kind of a zombie. I wasn’t going to watch it at first because I really hate zombies and most shows and movies about the walking dead, but when I heard that this was a more Desperate Housewives kind of take on the sub-genre, I was intrigued. When one day Sheila doesn’t feel quite well and ends up projectile-vomiting gallons (I mean, they really overdid this part) of disgusting stuff, she finds that she loses her pulse but gains a very positive outlook. You would not think that hilarity would ensue, but as a kind of dark satire of suburban life, the combination is actually pretty fun. I would still love to fast-forward those parts where Sheila chows down on bloody body parts — so much blood and gore — but otherwise I’m enjoying things. Barrymore is alright in a relatively manic role, but it’s really Timothy Olyphant who shines. Joel is taking it all in stride as a supportive husband on the outside, while underneath you know that he’s just holding on to his wits by his fingertips. One of my favourite lines comes from him when they have trouble trying to think of justifiably expendable candidates to kill to feed Shiela’s hunger: “Where are all the single, young Hitlers?” Joel wonders. Absurd, right? Also, their daughter Abby’s disturbing nonchalance about all this (including the apparent victims of her mother’s hunger), and the nerdy neighbour boy who exchanges sci-fi knowledge about the undead for a chance to spend time with Abby, are a hoot as well. I have no idea how far a show like this can go, but if anything is fodder for this kind of parody it’s suburbia. Am I right?

24legacy124 Legacy

I’m happy that there are new shows coming out that are truly new (i.e. not a reinvention or reboot) but do we have room in our hearts for one more attempt at making 24 work? The last time we had Jack Bauer running around, 24: Live Another Day took the franchise global but still lost my interest part way through the shortened series. I think I was just tired of seeing Kiefer Sutherland do the same things, the same plots, the same scenes again. It was starting to feel like self-parody. This new series seems to think that casting a new lead will solve things. Corey Hawkins plays Eric Carter, a former army-ranger who is targeted by a terrorist group after all his former army squad-mates are killed. Helping out Hawkins via his earpiece is Miranda Otto as Rebecca Ingram, the former head of CTU. Once again the clock is ticking, forcing everyone to take very desperate and drastic steps in order to save the day. Jack Bauer’s kind of “there’s no time” decision making is definitely at the heart of Carter’s choices as well. When he needs to come up with two million dollars to ransom a memory stick from his crazy former squad-mate, more logical courses of action give way to a plan to get arrested in order to steal the cash from a secure police evidence facility — Really? No better plans than that? — there’s no time! In the background, other plots are also in motion. CTU is once again a dimly-lit hotbed of potential moles and leaks. Plus, Ingram’s husband (played by Jimmy Smits) is running for office, so there’s that whole political angle coming out. I have to say that seeing the same kind of stories and plots through a new batch of characters does help blow out some of the cobwebs. Muslim terrorists again? Sleeper cells again? Maybe a new story would have helped even more — but there’s no time!

theexpanse_bobbie_draper_03b-0The Expanse

Coming back for its second season is a show that held the hopes of many a Battlestar Galactica fan, that complex, sophisticated sci-fi would actually entertain. I think this show’s still got a way to go to prove that, but after watching several season one episodes twice to get there, I think I am following the story to some degree. Last season saw former Star Helix detective Miller (played by Thomas Jane) and former ship captain Holden (played by Steven Strait) discovering that events in their crazy lives (including many people trying to kill and silence them and their allies) led to the body of Julie Mao, a former operative for the OPA rebel group, who was exposed to a deadly alien organism. In fact, the entire space station they were on was being used as an experiment by forces unknown to test out this “protomolecule” at the expense of thousands of lives. Luckily, Miller, Holden, and the remaining crew of “The Rocinante” spaceship were able to escape (as they had done all through the first season) and now they join forces with Fred Johnson — an OPA leader — to get more answers. Meanwhile, politics on Earth and Mars are starting to boil over as a new troupe of Martian marines are gearing up for conflict. The plot of the show is definitely confusing (I’ve probably made a few errors even in that brief summary) but I guess that’s the price we pay for realism in sci-fi. Obviously we don’t understand all the background and the motives for all the characters, but we want to avoid the contrivance of having it all explained to us in exposition (so we have to pick up the bits and pieces where we can) — and this is all from someone who’s already read the book! I am not the number one fan of space-wars (or any war stories), and frankly it was the Cylons that kept me enjoying BSG, but I think that The Expanse‘s blend of action scene with character-driven dialogue is well-done enough to keep me interested to see how this all plays out. I’m two episodes into the second season (so I’m not quite caught up) but things are really getting interesting.

magicians2The Magicians

The show quickly left behind its Harry Potter comparisons in season one, as its Hogwarts-for-grown-ups storyline gave way to the darker plot of defeating The Beast. Our snipey band of grad-school wizards found themselves shockingly betrayed by one of their own friends/allies as they were gearing up to defeat the “big bad”. Julia shook hands with The Beast in order to get his help to take revenge on an evil trickster god who had raped her and killed her friends. Now the rest of the gang is camped out in Fillory (the Narnia-esque magic realm of this series) preparing to once again face The Beast and Julia. I enjoy some of these Fillory story elements more than the Brakebills stuff. It’s fun to take a deeper look at this broad, magical world. Unsurprisingly, nothing is as innocent as you’d expect. The fictional Fillory books were supposed to be children’s books but the world is not a children’s world — this show is always quick to remind us of that. Unfortunately, I didn’t like the first book that this show is based upon, so I didn’t read any further. Now that we’re in season two I have no idea where the story is heading. Hopefully that will make it even more fun for me. I’ve only watched two episodes of this season so far, but I’m still enjoying it.

p04dgb66Planet Earth II

Finally, I wanted to make brief mention of the latest nature show which proves that even the BBC is not immune to sequel fever. Coming 10 years after its landmark series that brought us some incredible and unique images of nature (I’m still not over those unbelievable crystal caves!), Planet Earth II just started airing in North America (though it’s already long-finished in the UK). In the first episode, there was lots of amazing footage from various islands around the world, including a remote volcanic island near Antarctica where again we get to see the insane lengths to which penguins go to in order to feed their chicks. The visuals are, of course, breathtaking and I look forward to seeing what other wonders the rest of the series holds.

Even as I write this, new shows are popping up (including the HBO series Big Little Lies, created by David E. Kelly (of The Practice) and featuring amazing stars like Nicole Kidman, Reese Witherspoon, and Alexander Skarsgard; Also The Good Fight — the sequel series to The Good Wife) and I cannot keep up, but it’s never a dull moment on TV now, is it?

Fall TV 2016 Wave 2

I’m enjoying the new fall TV season so far. There’s nothing that I absolutely can’t miss, but a number of shows are still intriguing enough that I want to keep watching.

New Shows

westworldWestworld

At the top of the list of new shows worth sticking with is definitely Westworld. Hype has pegged this to be HBO’s successor to Game of Thrones, which kind of baffles me because the shows are nothing alike. From a business point of view, I guess this is another series that can cross over from the nerd population to be a general audience hit. The show is a bit cryptic with regard to what it’s really about. On the surface, we seem to be watching the operation of a Western-themed sci-fi pleasure-planet populated with artificial people (which are called “hosts”), who service the needs of the guests. There is some kind of glitching going on with some of the hosts, but it’s not totally clear what the problem is. Also, so far we’ve been introduced to several guests, including Ed Harris as a man who has been playing Westworld’s game so long that he’s now looking for “the next level” — and leaving a trail of bodies behind him. There are a lot of puzzling things going on, with a nicely gradual reveal. Apart from the amazing cinematography and scenery, there is also an excellent cast to keep us interested until we get our answers. Anthony Hopkins plays the world’s creator, Jeffrey Wright plays one of his top successors. Evan Rachel Wood, James Marsden, Thandie Newton all play host characters. Not since Lost has a series like this held so many mysteries. (4 out of 5)

american-housewifeAmerican Housewife

I feel like we’ve got a bit of a formula going on, with a fancy neighbourhood where our quirky family doesn’t really fit (they’re on the poorer end of the earning spectrum) and they like to look down on the hoity-toity neighbours. Despite that, I was drawn to the show by Katy Mixon (who played Molly’s younger sister on Mike & Molly). While the first episode contained way too much voiceover narration, I like Mixon’s sassy persona. The rest of the family and other characters will need to develop. I don’t love that the youngest daughter has some kind of anxiety disorder (the trend to have a token mentally or physically-challenged kid on every family sitcom is a tricky one). However, the two other kids seem to be poached straight from 80s hit Family Ties, but rather than it being a reaction to the parents’ hippy philosophy, the son being a self-centred money-focused conservative, and the daughter being pretty yet potentially-shallow are all blamed on the family being in an affluent neighbourhood. This show has potential, but it’s got to find itself and its characters without simply being a battle of stereotypes. (3.5 out of 5)

timeless-1152x759_jpg_1003x0_crop_q85Timeless

This is the only one of the several time-travel themed shows of the season that I decided to give a chance, mainly because early reviews were quite positive. The premise is that a villain has stolen a time machine and is using it to go back to key moments in history to destabilize and destroy present-day America. The present-day US government recruits a historian (played by Abigail Spencer, from Suits), a soldier (played by Matt Lanter), and a scientist (played by Malcolm Barrett, who I remember from Better Off Ted) to go back (using a smaller, prototype time machine) to prevent the villain from wrecking the timeline and the country’s history. It’s an interesting premise that begs the question of whether history will be changed in this show (or if it will always be saved — boring!). They answered that in the very first episode when Spencer’s character Lucy Preston returned from their first mission to find that her mother was no longer ill, and her sister never existed. So kudos to the show for not taking the easy way out and making sure that everything stays the same despite messing with the past. However, after two episodes, the sci-fi geek in me feels that they are still dealing well enough with the kind of large-scale consequences that should occur from the actions that the team has taken in the past in an attempt to prevent changes. If there is truly a butterfly effect, then every time they come back to the present, the world should have changed substantially. Now, I acknowledge that taking such a serious approach doesn’t necessarily make for a fun show, but this show does take itself seriously (It’s not like we’re remaking Quantum Leap) and that’s part of the problem. (3 out of 5)

kims-convenience-5Kim’s Convenience

I am very excited to see another Asian-centred show on North American TV. This CBC sitcom, about a Korean family who runs a convenience store in urban Toronto, is actually based on a very successful play (which I did see) and stars an actor, Paul Sun-Hyung Lee, that I actually went to university with (we shared a class, but I’m sure he’s forgotten me, so that’s enough of the name-dropping). Lee plays Appa, the patriarch and store owner. Even from the first episode, there is already some backstory to this family as Appa and his son Jung are not on speaking terms. Umma (the mother) and daughter Janet make various attempts to mend the rift, but Asian male pride is still a thing (and there is baggage between all members of the family). Despite dealing with some emotional issues that make this show more of a dramedy than a ha-ha comedy, there are still a number of funny aspects, most often stemming from the east-meets-west clash of the parents’ personalities with expected North American behaviour. As much as I enjoyed the first two episodes, a few things still kind of irked me — I’m probably harder on this show because I am also Asian and have given these kinds of issues more thought. First, I found it distracting to have immigrants speaking broken English when they are by themselves. Sure, no one wants to watch a show full of subtitles, but I am convinced that in real life Appa and Umma would be speaking Korean to each other, not English. Second, I found the title/theme of the first episode (“Gay Discount”) kind of surprising. I would have expected a new sitcom to keep things simple, and establish the main characters and their situation before jumping into socio-political topics like LGBT rights and community. Granted, Canadian shows like to quickly establish how progressive we believe we are in this country. Still, those are minor quibbles, and overall I quite enjoyed the show. (3.5 out of 5)

Returning Shows

the-flash-season-3-episode-2-jay-garrickThe Flash

We pick up this season from where we left off. Flash has altered history (There’s that theme again!) so that his mother was not killed by the Reverse-Flash. That made his family life a little more perfect, but then he starts to notice all kinds of other inconsistencies in the timeline resulting from his actions. Events hit a breaking point that leads him to make the tough decision to undo his own changes to the past, and allow his mother to be killed. Unfortunately things do not work out so cleanly, and are not restored to where they were exactly and Flash continues to deal with the consequences. Based on a storyline from the original comic book, these “Flashpoint” episodes don’t play out as successfully as they might on paper. For starters, the universe of the TV show is way smaller, so it’s almost like playing “spot the difference” to realize how the current timeline is “wrong”. To make things worse, it’s not always clear whether the change is a good or bad thing — at least until we are told that things are bad (maybe someone dies or gets hurt), which necessitates a change to the timeline. A new villain (Dr. Alchemy) has been introduced, who seems to have some mysterious abilities and a totally unknown agenda. It’s too early to know whether he will make a cool enemy or not. (3 out of 5)

supergirl-season-2-trailer-supermanSupergirl

The end of the first season seemed very open, without much of a suspenseful cliffhanger. Kara and James are now free to pursue a romantic relationship, and Kara has received a genie’s wish from Kat Grant to choose whatever job she wants. The storylines did not compellingly lead into this season, but what has been driving the season so far has been the presence of Supergirl’s cousin, Superman (played by Teen Wolf‘s Tyler Hoechlin). Having run into each other while preventing a space shuttle crash, Superman decides to hang out with his cousin and stop a new menace together. Hoechlin does a pretty good version of Superman as well as Clark Kent, and ends up inspiring Kara to become a journalist too (lame!). Sadly I’m struggling to find my interest in this show again now that most of the drama of her career and personal life, as well as the enemies that came from her own family history, have been kind of resolved. I hope they do something to rev this show up again, because I don’t think ol’ Supes can stay on indefinitely. (3 out of 5)

Fresh Off The Boat

This other sitcom I like with a mainly Asian cast (No, not you, Dr. Ken — it will never be you!), came back with a pretty fun episode: the Huangs go back to Taiwan. I loved how they played with the fish-out-of-water idea (since the kids have not ever been to Taiwan). Again, it bothered me that almost everyone was speaking English, even in Taiwan — come on! However, it was a pretty good storyline that put the focus back on their culture (rather than a generic, colour-blind, family sitcom scenario). I especially liked how they came to realize that their home is the US and not Taiwan (a classic tension for immigrant families). I hope they really get to explore the kids more this season and give them a chance to grow — especially the younger boys. Plus, it will give them more opportunities for nostalgic “growing up Asian in North America” kinds of storylines — which I relate to, and consider the best aspect of this show. (3.5 out of 5)

That’s it for the start of the fall TV season. I realize there are still more shows coming and returning (I’m looking forward to Jane the Virgin), and Netflix has a number of shows waiting to be unleashed over the next months (I cannot wait for Black Mirror. I might do a special post just for those. We’ll see.) With a schedule full of new episodes, I guess it’s just time to keep watching and to decide which ones to stick with and which ones to let go.

Fall TV 2016 Wave 1 – Returning Shows

In this year’s batch of returning shows, we’ve got a few long-timers, some shows with a few seasons under their belts, but very few sophomores — mostly because last year’s new shows were so weak. Surprisingly and disappointingly, rather than getting a fresh start on the new season, the pattern or theme this year so far seems to be “self-parody”. It’s been a rocky start.

the-chanels-scream-queens-season-2-premiere-reviewScream Queens

The only second-season show in this list, I confess that I barely committed to watching it again. I genuinely enjoyed the cleverness and craziness of the first season, but I also wondered whether I’d had enough of Chanel and her biting bitchiness for a lifetime. Cut to me watching the first two episodes of a show that was unbelievably campy on a good day. Gone is the sorority house setting, now the Chanels are preposterously nurse-practitioner-med-students at the most bizarre hospital ever. Former Dean Cathy Munsch (played by Jamie Lee Curtis) somehow made it rich on a book tour and bought an old hospital with a very dark past, which now has a new mission to “cure the incurable”. John Stamos and Taylor Lautner serve as the only two doctors in the place. The former has a transplanted hand with a mind of its own, and the latter is sub-humanly cold (not sure how that’s going to play into the plot yet). Keke Palmer is back as well, playing Zayday Williams the sorority-prez-turned-med-student. So far each episode has featured patients with grotesque illnesses (woman covered with hair, man covered with tumours, man who can’t stop screaming), catering to dialogue and characters focused on superficiality — but frankly the patients are not really that important. In only one season, this show has become the definition of self-parody as fewer characters act normal, everyone’s got a crazy backstory, and every speech is an opportunity to ham it up. Oh, and there’s another killer on the loose — this time in a green demon costume rather than a red devil one. It’s like they don’t want the show to last — yet I can’t look away! (3 out of 5)

empire-season-3-scoopEmpire

Another show that was great while it lasted was the Dynasty-goes-Hip-Hop soap opera about the Lyons family — and it’s a crazy family. At the end of last season, token-white-character Rhonda was fighting with Anika and went over the balcony — that’ll teach her for figuring out that Anika pushed her down the stairs! Also, Anika got ex-husband Lucious to remarry her in order to avoid testifying against him in Federal Court, even though she was pregnant with the baby of Hakeem (Lucious’s youngest son). Cut to this season and Lucious is his same heartless self — he doesn’t care about Hakeem and his new fatherhood; or about his son Andre grieving he death of his wife Rhonda. He even gets angry about his middle son Jamal experiencing PTSD from a shot that he took to save Lucious’s life! Not that it wasn’t far from it before, but I think this show has truly gone over the top now. Sadly, it seems like more of the same replay of the past two seasons of Lucious acting selfishly, then seizing back everything and controlling everyone’s lives, and they all somehow come back to him. A lot of that was due to his ex-wife Cookie, but now she’s not going to fall for him anymore (so why do they keep flashing back to the beginning when she first met and fell for him?). And now they’re also introducing another young “star” character for everyone to compete over. In three seasons, there are already cycles that seem to be repeating again and again. Even if you were like me and enjoyed the hip-hop soap’s appeal, you’re probably tired of it by now. (2.5 out of 5)

modfame5c8a15886Modern Family

After six seasons, even one of my favourite sitcoms is repeating itself and slipping into self-parody. Claire and Phil claim to be on a road trip while secretly continuing their family vacation in New York. Meanwhile the kids are also staying on in NYC and mild humour ensues as both sides try to hide their plans from each other. Unlike the moony eyes he once had for Haley, Manny now falls for his mom’s sister after she kidnaps him (yes, that’s right) to get back at Gloria. And worst of all, once again Mitchell makes all the wrong moves as he gets blamed for causing Cam’s bigoted, comatose grandmother to die (if only he’d been wearing a Spider-man costume while doing it). I really hope they quickly get these characters out of the ruts that they’re in. Even sending Alex away to college made almost no dent in the show’s setting — and now she’s back home again. Have they run out of steam? (3.5 out of 5)

brooklyn-nine-nineBrooklyn Nine-Nine

Here’s how you shake things up in a three-year-old sitcom: send the main characters into witness protection. Opening with a three-part story of Jake and Captain Holt in Florida trying to live dull, trivial lives in hiding from mob boss Figgis is a lot of fun. First there’s the hilarity of the ever-serious Holt trying to work for some grown-up teenager at a family fun centre. Second, Jake has frosted tips! Anyway, it was really smart to spend one episode focused just on Jake and Holt before folding in the rest of the characters in the second episode. Their odd father-son chemistry is one of the strongest elements on this show — I loved Jake’s stunned reaction to hearing that Holt had a tattoo! Back in the precinct, things were a little repetitive as they once again had to deal with a new, incompetent captain, but I think it was all worth it to get those scenes of Gina’s assistant laying zingers on Amy! (4 out of 5)

bigbang2Big Bang Theory

On this show, they did the clever thing of cashing-in twice on Penny and Leonard’s wedding: first as a Vegas elopement, now they get to redo the ceremony with families in attendance. Seeing Penny’s family was a lot of fun. Jack McBrayer is not who I expected as Penny’s brother, but he’s a hilarious actor, so I enjoyed him in the role. Also, playing Penny’s mom seemed like a total cake walk for Katey Sagal (who looks just great for 62, eh?). I am really glad they took last season’s cliffhanger of Leonard’s dad and Sheldon’s mom getting together no further, though. I think that would have taken the show into unnecessarily soapy territory. After the wedding, we quickly got back into the other ongoing storylines of Howard and Bernadette’s pregnancy, and the military hiring the guys to build their quantum gyroscope. Dean Norris (from Breaking Bad) has so far been pretty good (though subdued) as their commanding employer. It was funny to see Sheldon hopped up on energy drink — silly Sheldon! (4 out of 5)

Black-ish

While I’m happy to welcome this family sitcom to my viewing roster, I was pretty disappointed by the gratuitous commercialism of the premiere episode, when Dre takes his whole family to Disney World on a VIP vacation. Since the show is from ABC, a network that is owned by the Disney company, it might as well have been a big promotional video for the theme park. However, the episode was not too bad if you strip all that advertising away. I think they waited until episode two to really throw in the towel. While the show has shown that it can take serious topics (like racism and violence) and really handle them well, I can’t believe that they had to trivialize one of the biggest topics in human history. In the episode actually entitled “God”, I was surprised yet intrigued when Zoey declared that she didn’t believe in God, but I was bothered by the way the episode dealt with it. Dre freaked out and cried that his daughter is broken! Then he turned around and made it a black thing to believe in God, citing the hardship of slavery and oppression as the reason why blacks are more prone to belief — really?! Even the counter-argument against belief in God is belittled by its representative: Bow’s pretentious hipster brother, who speaks to the pharmacy in French and tries to leave his Parisian phone number for a call back. In the end, we get an emotional moment at Bow’s sonogram that kind of brings Zoey back to belief, but overall I thought it was terrible, and bordering-offensive how the producers squandered and diminished what could have been a thought-provoking and even profound episode. I really hope the rest of the season steps it up.(3.5 out of 5)

shield-eMarvel’s Agents of SHIELD

Finally, what is going on with this show?! No, I’m serious. I cannot follow what is happening. Daisy is still rogue, and I don’t know why she is chasing the Ghost Rider (but she’s got a smokey eye, so she must be serious, right?). I’m hating all this talk of the politics behind an agency like SHIELD. Do I care that they have to pander to the appropriations committee to get funding now? What is this, House of Cards? Coulson is flying around non-stop in his plane with Mac; and May is disgruntled at Jemma, who is now kind of her superior; Fitz and Simmons are playing a cute couple, and no one is telling me why they are doing any of this. Plus, they are also going after Ghost Rider, and there are some creepy ghosty people who have somehow infected May with horror-movie madness? Sigh! I miss the good old days when the plots were normal and made more sense. I need them to get back to that quickly. Bring back Ward, bring back Hydra if you must, but please let me care about this show again! (3 out of 5)

So, the returning shows haven’t been too great so far. Good thing they still have the rest of the season to improve. Fingers crossed!