One thing that disappointed me about the prequel Prometheus was that it started to open up the Aliens mythology (with the Engineers, and a Lovecraftean backstory), but in the end the story was reduced to another space crew finding a primitive version of the Alien xenomorph, and being slaughtered. I was hoping that Alien: Covenant (the sequel to the prequel) would make more of that story, but sadly it didn’t really. Once again, a space crew ends up on a planet where the monster awaits them, and they fight for their lives. Don’t get me wrong; I’m not saying that it’s not thrilling and well-made, or that I don’t enjoy another trip to space-horror town, but let’s make this story broader, no?
Covenant is definitely a follow-up to Prometheus as it opens on a flashback for the android David, from the first movie, talking to his creator, Weyland. That scene has a thematic connection to the rest of the movie, dealing with the idea of creation and creators. That theme was also a big part of Prometheus. In this movie, our intrepid space crew is awakened from cryo-sleep when a freak space storm-type event causes major damage to the ship, which is also carrying thousands of colonists to a new home. Their caretaker is another android, named Walter (also played by Michael Fassbender, but this time with an American accent — Hmmm.) When the crew stabilize things a bit and start making repairs, they also discover a nearly ideal planet that they didn’t notice before, one that is perfect for their colony and would save them another 7 years of their cryo-sleep journey — Hmmm. Too good to be true? Maybe in a horror movie, eh? So a predictably stupid decisions is made for the crew to go down to the planet and check it out. Unfortunately, they stupid decisions just keep coming when they decide that the primordial jungle is so balmy that they don’t need any helmets — even the Prometheus crew wore helmets, until they decided not to and let the alien spores get into their bodies. And so on.
Michael Fassbender really steals the show in the dual role of Walter and David. Not only does he have a great story-telling voice, he’s got that stolid calmness, that inscrutable creepiness, and that trusted strength, all of which he can subtly switch around. They’ve also come a long way with their showing dual roles side-by-side on screen. I’m not quite sure how they do it, but the scenes between the two androids are seamless. As enjoyable as Fassbender’s performance was, I don’t quite know why they chose to make David the centre of the story. Once the space crew meet up with him, he’s like some kind of creepy, Gothic host welcoming them to his Transylvanian castle (Mwa-ha-ha-ha!). Going back to my earlier comments about how the movie could have really expanded the world of these films, getting into world of the Engineers, or even find ways to expand on the xenomorphs and how they mutate, I think that’s where the interesting stuff is. Maybe someone can even come up with some real biological ground rules for these creatures rather than just having them change or become whatever is needed to cause more carnage for the crew. Instead the story all seems focused on a few human/android characters every time, and how they foolishly fall prey to these alien creatures.
If you’re a pop culture nerd like myself, you could argue the cautionary tale of a very similar movie franchise, Pitch Black and Chronicles of Riddick, which did try to parlay a story with killer alien monsters into an entire attempt at world-building and complex mythology. That attempt failed and led to Riddick, the last sequel, going back to the formula of a planet full of bloodthirsty creatures. However, I think that if we’re going to get a whole bunch more of these Alien sequels (or pre-sequels), we need to do more than just rehash the same formula over and over. Perhaps Ridley Scott just felt that the first Alien movie was so archetypal that he’s been continually trying to retell that story from different angles.
Anyway, Covenant was definitely well made for space-horror: the visuals and special effects are gory and great. We’ve gotten to the point where we don’t even question the CGI. In the back of our minds, these creatures basically exist. Again, the potential for a much more epic and interesting story universe is still out there, as they haven’t explored much more of it here. The movie plot itself held the possibility of many twists, but in the end fell back on a bit too many cliches to be surprising. If you’re new to the genre, you may prefer to watch the original Alien, but if you’re a fan of the series, you’ll certainly get more of what you’ve come to love (4 out of 5).